03 January 2009

▶︎ Chucklers Weekly (2): comics

About a third of the Chucklers Weekly was given over to full page comic strips, Australian and imported. These comics appear in the two editions I have, each filling one or two pages: There is also a single strip for younger children:
  • Joey Jumper Serial (Australia, Anonymous)
And a single panel cartoon: Australian illustrator, writer and animation artist Monty Wedd (b.1921) is a prolific creator of historical and educational comic strips. He began drawing the fictional bushranger comic Captain Justice in the late 1940s, before Chucklers Weekly, and he later continued it in the Australian Woman's Day in the 1960s. From the 1970s he produced well-researched comic strip series about real life Australian bushrangers, Ned Kelly and Ben Hall. Monty Wedd's work was also seen in the Australian Children's Newspaper, published by the national broadcaster the ABC (it was the second magazine I ever subscribed to, after Chucklers Weekly). Arthur Hudson who drew All About Debbie Reynolds (below) and Monty Wedd both contributed to the The Australian Children’s Pictorial Social Studies series of educational comics.

For all my posts about Chucklers Weekly click through to the label CHUCKLERS WEEKLY.

Click on an image to enlarge it.

References, further reading: 1. Dan Cooper at CoolFrenchComics.com. 2. Monty Wedd - Australian cartoonist by Greg Ray at Collecting Books and Magazines. 3. Dick Brooks, The Jackson Twins at Lambiek.com. 4. MortWalker.com and the Wikipedia entry on Beatle Bailey. 5. Wendy and Jinx: Valerie and Michael Hastings at Steve Holland's Bear Alley; Ray Bailey at Lambiek.net. 6. George Sixta, Rivets at Lambiek.com and ComicStripFan.com. 7. Gill Fox at Ger Apeldoorn's 50s blog. 8. John Ryan, Panel By Panel (1979).

02 January 2009

▶︎ Chucklers Weekly (1)

Chucklers Weekly was a children's magazine published in Sydney that seems to have flourished in the mid- to late-50s. It was the first magazine I ever subscribed to, when I was 9 or 10 years old. I was a member of the Charlie Chuckles Club, named for the magazine's kookaburra mascot.

My childhood collection being lost forever, I bought these two copies online, from 9 January and 28 August1959.

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For all my posts about Chucklers Weekly, click through to the label CHUCKLERS WEEKLY.


Click on an image to enlarge it.


20 September 2008

▶︎ Percy Leason in the USA

After I posted one of Percy Leason's Wiregrass cartoons, John Adcock over at the excellent Yesterday's Papers sent me some examples of Leason's illustrations from the time when he'd emigrated to New York.

Leason left Australia in 1937 and his family followed soon after. He stayed in the States until his death in 1959, painting, teaching, railing against modern art, and illustrating for books and magazines. (Garrie Hutchinson, Wiregrass: A Mythical Australian Town, 1986.)

These illustrations are from 1958, for the Golden Stallion series by North Dakotan writer Rutherford G. Montgomery.

Coincidentally, Percy Leason is currently included in an exhibition at the Art Gallery of South Australia until 19 October, Misty Moderns: Australian Tonalists 1915 -1950. The theme of the exhibition is the tonalist Australian painter Max Meldrum and his followers. At the ABC Melbourne website you can see a charming Leason portrait of his chidren, from the exhibition.

[Click on an image for larger view.]





08 September 2008

▶︎ The Vacant Lot

I've just added a publicity photo of Sydney band The Vacant Lot to my page about Don't Let Me Sleep To Long (1966), their version of a song also known as Wake Me, Shake Me.

The song's history is a ripper, and as far as I know my research is original. It takes in Al Kooper and his Blues Project, the Carole King-connected Myddle Class, Lou Reed, The Golden Chords, Ersel Hickey, Rev. Gary Davis, The Coasters and The Staple Singers, not to mention The Original Five Blind Boys Of Alabama and a number of other gospel singers that go back as far as 1927, and that's only on record. (And look for the exclusive and, I guess, controversial quote from Al Kooper in the box about The Blues Project.)

Robert from The Vacant Lot, who sent me the photo, also sent this gig advertisement that I couldn't fit on the site.
[Click image for larger view.]