Percy Leason in the USA

After I posted one of Percy Leason's Wiregrass cartoons, John Adcock over at the excellent Yesterday's Papers sent me some examples of Leason's illustrations from the time when he'd emigrated to New York.

Leason left Australia in 1937 and his family followed soon after. He stayed in the States until his death in 1959, painting, teaching, railing against modern art, and illustrating for books and magazines. (Garrie Hutchinson, Wiregrass: A Mythical Australian Town, 1986.)

These illustrations are from 1958, for the Golden Stallion series by North Dakotan writer Rutherford G. Montgomery.

Coincidentally, Percy Leason is currently included in an exhibition at the Art Gallery of South Australia until 19 October, Misty Moderns: Australian Tonalists 1915 -1950. The theme of the exhibition is the tonalist Australian painter Max Meldrum and his followers. At the ABC Melbourne website you can see a charming Leason portrait of his chidren, from the exhibition.

[Click on an image for larger view.]

The Vacant Lot

I've just added a publicity photo of Sydney band The Vacant Lot to my page about Don't Let Me Sleep To Long (1966), their version of a song also known as Wake Me, Shake Me.

The song's history is a ripper, and as far as I know my research is original. It takes in Al Kooper and his Blues Project, the Carole King-connected Myddle Class, Lou Reed, The Golden Chords, Ersel Hickey, Rev. Gary Davis, The Coasters and The Staple Singers, not to mention The Original Five Blind Boys Of Alabama and a number of other gospel singers that go back as far as 1927, and that's only on record. (And look for the exclusive and, I guess, controversial quote from Al Kooper in the box about The Blues Project.)

Robert from The Vacant Lot, who sent me the photo, also sent this gig advertisement that I couldn't fit on the site.
[Click image for larger view.]